Independent comparison site — not affiliated with or endorsed by RIMOWA/LVMH
Buying updates · Price watch
A fast, no-noise feed for RIMOWA shoppers: new suitcase colors, launches, collaborations, price snapshots, resale programs, and buying updates worth checking before you purchase.
Ink Blue brings the first visible 2026 hardware refresh to RIMOWA Original, but its permanent status matters more than the colour itself.
RIMOWA's official Essential Neon page highlights transparent polycarbonate Cabin suitcases in Pink and Lime, with matching iPhone cases listed as online-only items.
The official US Original collection page lists the Original Cabin at $1,550. Treat this as a dated price snapshot and compare against your local market before buying.
Issue five works when Ryan McGinley's fifteen subjects remain authors of the publication, not anonymous faces in a Pride campaign.
A Journey Into Art treats the travel sticker as a portable exhibition, with twelve works selected by Museum Ludwig director Yilmaz Dziewior.
Otman Qrita's short portrait is most revealing in the transitions around Hans Zimmer's arena show, not in its claims about creative greatness.
The 2026 jury rewarded mobility without vehicles: one project addresses conversation, the other productive work on restored peatland.
Pantera's three-part campaign is unusually disciplined: one trumpet, one aluminium case and a handover from father to son do the narrative work.
The nearly 500-square-metre Dom-Carré flagship earns its hometown claim through bridge-green details, local designers and a view back to 1898.
The two vivid Essential colours look like a matched release, but their checked-luggage sizes differ—a detail that matters more than the campaign.
LVMH appointed Louis Vuitton executive Beatrice Monguidi as CEO of RIMOWA, effective June 1, 2026, reporting to Pietro Beccari.
The £1,360 aluminium case brings order to rings, bracelets and necklaces, but two small locks should not be mistaken for security certification.
The €3,200 Bench and Drawer solve a narrow domestic problem with Swiss precision: where aluminium luggage should live between journeys.
The 2026 eyewear update is four colour-model combinations, not four new frames: MR006 is the only new silhouette, while MR001 and MR002 gain Clay Green.
RIMOWA's US pre-owned page explains RE-CRAFTED refurbishment, a 30-point control process, resale availability, and a two-year warranty for refurbished suitcases.
The finalist field moved from menstrual-pain support to peatland machinery, showing that the competition now defines mobility as access and participation.
Osvaldo Borsani's 1943–45 family house is compelling because rational planning coexists with marble, Murano glass, concealed service and Lucio Fontana.
The numbered 1,969-piece edition is more than a surface change: grid embossing, blue leather and quilted lining carry one archive reference throughout.
Otman Qrita follows Yeoh at the 76th Berlinale, where a lifetime award gives the branded portrait a precise event rather than a vague idea of success.
The muted green suits RIMOWA's work-focused case, but Cabin Plus remains oversize for many airline limits and a 16-inch label is not universal laptop fit.
Villa Kolb turns industrial offcuts, excavation stone, rainwater and a patented staircase into one eccentric but practical environmental system.
Powder Blue links a leather suitcase, an aluminium case with leather accents and a small hard-shell bag; the similarities end at the palette.
The earthy colours share Cabin and Trunk Plus, but Clay steps up to Check-In L while Terracotta stops at Check-In M.
The portable bar contains a shaker, tumblers, jigger, coasters, straws and spoon in fitted slots—but the spirits and ice remain someone else's problem.
Groove is RIMOWA's first serious leather-bag family: four Italian-made shapes use oversized ridges without pretending leather is aluminium.
The Cologne-made shell is beautifully resolved and genuinely protective, but its empty weight is the fact every commuter should read first.
The so-called See-Through House is not simply transparent: an eight-foot timber grid, coloured glass and concealed rooms control every view.
Bag 16 is shorter and narrower than Bag 19 but equally deep; the practical gain is a neater silhouette, not a dramatic reduction in weight.
The colour release mattered because it tested the tall Trunk Plus format, not because the Hybrid's polycarbonate-and-aluminium construction changed.
Hans Scharoun’s 1933 house turns a pasta manufacturer’s family routine into an asymmetrical modernist plan—and survives because it remained useful.
The €2,850 leather Cabin, €1,230 canvas backpack and €400 laptop pouch share a colour—not construction, protection or value.
Bronze was anodised aluminium—not bronze metal—and the €1,180 Cabin made more practical sense than its larger checked siblings.
Fifteen New Yorkers pair black-and-white portraits with short interviews, while a 300-copy run sharply limits the project’s public value.
A €2,200 wheeled aluminium box became occasional seating; the €550 toolbox made the cleaner argument for shared manufacturing.
A menstrual-pain wearable won €20,000 and a freestanding forearm crutch earned the €10,000 special mention—but both remain student concepts.
Theo van Doesburg designed a 1921 colour scheme for Cees Rienks de Boer's housing—not the architecture—and restoration recovered a more complicated palette.
The €980, 26-litre wheel-free case revived a colourful 1988 design faithfully enough to preserve its charm—and its practical limitations.
Removable supports fit piston or rotary trumpets, while the $3,600, 4.9 kg shell demands careful transport planning before either instrument goes inside.
Pierre Petit's Poigny-la-Forêt villa survives as an unusually complete Art Deco ensemble, while credible public sources disagree on whether it dates to 1936 or 1945–47.
Brinkman and Van der Vlugt's 1933 Rotterdam house paired steel-frame efficiency with vermilion, cornflower blue, canary yellow and elite domestic technology.
Layered ink translated Mann's brushwork onto 1,000 numbered polycarbonate cases, raising a sharper question than whether luggage can be art: how well can it reproduce surface?
Chike travels from Lagos to Enugu for his brother's wedding in Daniel Obasi's commissioned film, where nzu, Adanma and The Cavemen make homecoming culturally specific.
Russel and Mary Wright shaped a 75-acre former quarry at Garrison; Dragon Rock then joined the water, paths and woodland with architect David Leavitt's technical work.
Four Nakagin-related capsules attach to a concrete core at Kurokawa's Karuizawa retreat, where preservation exposes the gap between replaceable theory and building reality.
The green Cabin remained useful at $2,670; the larger wheel-free Chest made the collaboration's 1960s romance vivid—and exposed how much old travel depended on service.
Janne Kreimer's inflatable pressure waistcoat won the second prize edition; Daniela Lindenberga's recording safety device took the €10,000 special mention.
The celebrated Turnhout interior occupies half of a dual residence Schellekens designed for his family and Theo Op de Beeck, combining practice, home and hand-built furniture.
The Milan pop-up let guests hear, feel and taste a working Linea Mini; the limited grooved-aluminium machine itself changed appearance more clearly than coffee performance.
The 966-piece Hand-Carry stayed close to the 1966 case; the 1,898-piece, $2,850 Cabin made hammered aluminium work for modern wheels.
The 2023 PDF's strongest route—Palmengarten, market hall and contemporary art—survives; its venue logistics do not deserve the same trust.
Gropius led the famous school building, but Carl Fieger, Ernst Neufert, Otto Meyer-Ottens, Bernhard Sturtzkopf and Hinnerk Scheper make the lone-genius version untenable.
The $3,330, 33-litre Black and Navy Cabins translated RIMOWA's grooves into leather, but the Musée Soulages setting did more for the surface story than for luggage value.
The 125th-anniversary show used battered personal cases, prototypes and oddities to complicate a polished corporate chronology—though its planned Cologne finale remains poorly documented.
The €2,900 aluminium case fits 4/4 and 3/4 violins and includes a hygrometer and humidifier, but at 4.1 kg it solves neither airline policy nor temperature exposure.